spitting on dirt to form
epitaphs
like a child with tweezers -
picking, plucking the seams -
clumsily jabbing at the stitches
with a blunt needle, trying
to create that frayed effect -
that gap in the fabric,
that lull in the sentence into
which i could slot my words
like spare change down a well
where rusty carcasses lie still,
barely polluting the water -
in hopes of finding a fault,
freshly sprung, within that
stagnant, unfading fullness
in which the world rests
untouched
there is a poem on this bus - something about the
collective sway of bodies as it hits the turn
and the studded whir of the motor's churn
there is no drum like the hum of steady breathing
and no beat that could compete with the seething
of passion and pulsing of pain, punctuating the silence
Life comes in
bursts; in gushes, violent
rushes of air, in
flashes so fierce
they blind - as love does -
eyes from seeing and jolt
black-cold blood
into being.
It comes in a flood,
ancient as birth, in
currents which shock
and startle the earth,
and when
the waters die down
into the land,
the dry still remains
in the desert sand.
But we, with our
linear lives live in the
in-between, apart, and
unseen, in the great gaps
of the great peaks -
and for hours, weeks,
we wait
(and barely survive)
for time to arrive
in the wind.
There is no time for poetry
in the mad rush of daylight through
the skies, weighted with suspense
For the night that has lost its depth is now
tense with the cumulative strain of eyelids
over a billion pairs of eyes
Lying more awake in the dark than anywhere
else, in beds, where the world retreats
into the body to rest from time
Where, just as the mind has begun to
compose it falls into sleep, and its stirrings
into the dusk of dusty dreams
The colour of the generation, it
Pronounces loudly all it touches,
And wailing, it tightly clutches
To the electric plastic of bright bar signs,
In jarring, jaded white-hot lines,
Glaring into the deep-set eyes of
Travellers in the lonely night
And illumines with artificial light
The empty pavements of a one-way street.
Rain falls soft in the graphite night it
runs down the world and all
seems to melt:
traffic lights into pavement;
people into umbrellas;
cars into headlights;
even the body I call my
own assimilates into
the view is no
longer mine to have and
hold, my surroundings
slip right through me (with
rain as a lubricant) into
a scene.
We are wanderers in a world where
wonder lies waste, splayed thin across
digital screens and cheap paper like a
slight dab of butter across stale bread, where
all expression has been etched into the few
lines of the face with little left to form
a gasp, or even a sigh, but we wander in
search of an apt reply to the echo-cry encoded
within the vacant streaks of a dying light
silent remains of a star in space long exploded.